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僭称するユリゼン--ブレイクの『ミルトン』第19[21]葉前部について
https://doi.org/10.24516/00000315
https://doi.org/10.24516/000003154431f743-b6e5-45f8-849e-7f8ca2a19eff
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
Senshou_Kawasaki (56.5 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2020-09-24 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 僭称するユリゼン--ブレイクの『ミルトン』第19[21]葉前部について | |||||||||||
| タイトル | ||||||||||||
| タイトル | Urizen's Assumption of Universality : William Blake's Milton, Plate 19[21] | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Selfhood | |||||||||||
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| 主題Scheme | Other | |||||||||||
| 主題 | foot | |||||||||||
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| 主題Scheme | Other | |||||||||||
| 主題 | enjambment | |||||||||||
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| 主題Scheme | Other | |||||||||||
| 主題 | clay | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | marble | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Jacob | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | color | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Selfhood | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | foot | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | enjambment | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | clay | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | marble | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Jacob | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | color | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.24516/00000315 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 著者 |
川崎, 則子
× 川崎, 則子
× Kawasaki, Noriko
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | William Blake's Milton depicts the restoration of the lost unity of the ideal selfhood, or Human Form in Blake's terminology. The protagonist Milton tries to regain and redeem the lost wholeness of human integrity by his incarnation after realizing his failure in his former life upon hearing the bard's song which tells of Satan's failure at self-righteousness. Along his journey back to the phenomenal world, he encounters Urizen, who is the eternal phase of Satan. This paper discusses Milton, Plate19[21], lines 1-14, where Milton's strife with Urizen entails forming rather than destroying Urizen, who tries to assume false universality. The characteristics of this strife are endowed with concrete vividness by the images of foot, clay, marble, and biblical Jacob. These are contrasted by an equivalent pictorial design in Plate 16[18] which amplifies the metaphysical connotations of the boundary between the eternal and phenomenal worlds with the designs of sun, Mosaic Decalogue, and the colors: red, blue, and yellow. | |||||||||||
| 内容記述 | ||||||||||||
| 内容記述タイプ | Other | |||||||||||
| 内容記述 | William Blake's Milton depicts the restoration of the lost unity of the ideal selfhood, or Human Form in Blake's terminology. The protagonist Milton tries to regain and redeem the lost wholeness of human integrity by his incarnation after realizing his failure in his former life upon hearing the bard's song which tells of Satan's failure at self-righteousness. Along his journey back to the phenomenal world, he encounters Urizen, who is the eternal phase of Satan. This paper discusses Milton, Plate19[21], lines 1-14, where Milton's strife with Urizen entails forming rather than destroying Urizen, who tries to assume false universality. The characteristics of this strife are endowed with concrete vividness by the images of foot, clay, marble, and biblical Jacob. These are contrasted by an equivalent pictorial design in Plate 16[18] which amplifies the metaphysical connotations of the boundary between the eternal and phenomenal worlds with the designs of sun, Mosaic Decalogue, and the colors: red, blue, and yellow. | |||||||||||
| 書誌情報 |
岐阜市立女子短期大学研究紀要 en : Bulletin of Gifu City Women's College 巻 55, p. 1-8, 発行日 2005 |
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| 出版者 | ||||||||||||
| 出版者 | 岐阜市立女子短期大学 | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 09163174 | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN10208264 | |||||||||||
| 論文ID（NAID） | ||||||||||||
| 識別子タイプ | NAID | |||||||||||
| 関連識別子 | 110004476561 | |||||||||||
